SEASON TICKETS FOR SEASON 56 on sale November 1st, 2022
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SEASON 56 SUBSCRIPTION INCLUDES "BOEING BOEING", "STOP KISS" AND "CABARET".
("A LITTLE NIGHT MUSIC" WAS PART OF OUR LAST SEASON BUT JUST MOVED INTO THIS SEASON.)
Click the Tickets Below for a Printable Version of our Season 56 Form
GET TO KNOW OUR SHOWS FOR SEASON 56:
BOEING BOEING is set in the 1960s, and centers on bachelor Bernard, who has a flat in Paris and three airline stewardesses all engaged to him without knowing about each other. Bernard's life gets bumpy, though, when his friend Robert comes to stay, and complications such as weather and a new, speedier Boeing jet disrupt his careful planning. Soon, all three stewardesses are in the city simultaneously and catastrophe looms.
Sara and Callie are walking through New York City's West Village very late at night, when they share their first kisses. This leads to a vicious attack by an angry bystander, in which Sara is horribly injured. She falls into a coma, which becomes one of the major subjects of the play. George, Callie's good friend, tries to help with the situation, but there is little he can do. Peter, Sara's ex-boyfriend from St. Louis, comes to help nurse her back to health. Throughout Stop Kiss, relationships are explored, formed, and even ended. Diana Son elaborates on the depths of human emotion and compassion in this play.
Cabaret takes place from 1929-1930, a time when Berlin, in the midst of a post-World War I economic depression, is transitioning from a center of underground, avant-garde cultural epicenter to the beginnings of Hitler’s totalitarian regime and the rise of the Nazi Party. Into this world enters Clifford Bradshaw, a struggling American writer looking for inspiration for his next novel. On his first night in Berlin, Cliff wanders into the Kit Kat Klub, a seedy nightclub overseen by the strange, omniscient and gender-bending Master of Ceremonies, “the Emcee.” Here, Cliff meets Sally Bowles, a vivacious, talented cabaret performer, and an utterly lost soul. Sally and Cliff begin a relationship, which blossoms unexpectedly into a dream-like romance. As time passes, however, the situation in Berlin changes from exciting and vital to ominous and violent; Ernst, Cliff’s first German friend, turns out to be an up-and-coming member of the Nazi Party, and Herr Schultz, a fellow boarder at Fraulein Schneider’s guest house (and Schneider’s fiancee), is the victim of an Anti-Semitic hate crime. When he finds out that Sally is pregnant, Cliff decides that they must leave for America at once, before things get any worse. Sally, afraid, confused, and unsure that she’ll ever really be able to trade the sexy, illicit cabaret lifestyle for motherhood, gets an abortion, and tells Cliff that he must leave without her. With a distinctly Brechtian dose of provocation and a score featuring songs that have become classics of the American Musical Theater, Cabaret is a fierce, meaty musical that pushes the boundaries of the form and literally holds “the mirror up to nature.”